Vilém Veverka belongs to the most interesting instrumentalists of his generation in Czech republic.
Technically excellent, it can concentrate on the musical essence. His knowledge of musical styles allows him to conquer movement in various musical periods. He has been one of the top Czech soloists for ten years and is a sought-after partner in chamber music.
I think Vilém Veverka is one of the best oboe player in the world. I think what he does outside, especially in Germany, for the fame of the Czech Republic, is invaluable.
Winner of the 7th Oboe competition of Tokyo
(Sony music foundation, 2003)
Vilém Veverka (1978) is one of the Czech Republic’s most respected interpreters. A graduate of the Prague Conservatory (F. X. Thuri) and Prague’s Academy of Performing Arts (Liběna Séquardtová), he also attended a number of courses by French oboist Jean-Louis Capezzali. His involvement in the Gustav Mahler Youth Orchestra was a key spur to his artistic development, as were his subsequent studies under leading German oboist Dominik Wollenweber at Berlin’s Hochschule für Musik Hanns Eisler. A two-year stint with the Berlin Philharmonic (on a Karajan Foundation grant) greatly benefitted his professional development, while the preeminent foreign oboists Albrecht Mayer, Hansjörg Schellenberger, Maurice Bourgue and Heinz Holliger provided him with more than mere inspiration. His journey culminated with triumph in one of the most prestigious oboe competitions, the Sony Music Foundation (Tokyo, 2003).
Veverka’s performances of contemporary music have won him attention as a soloist. His repertoire includes pieces in all styles, from Baroque to contemporary. He works with outstanding Czech and foreign orchestras (Prague Philharmonia, Prague Symphony Orchestra, Prague Radio Symphony Orchestra, Brno Philharmonic Orchestra, Tokyo Philharmonic Orchestra, Vancouver Symphony Orchestra, Bayerisches Kammerorchester, Münchener Kammerorchester, Slovak Philharmonic, Krakow Philharmonic, etc.). He has performed several demanding compositions from the second half of the 20th century in their Czech premiere (Berio, Britten, Carter, Feldman, Rihm, Yun, Zimmermann), including concertos by Martinů and Kopelent. His versatility as an interpreter underscores not only the first Czech complete recordings of Telemann’s 12 Fantasias for Oboe solo but also the first complete rendition of Zelenka’s Trio Sonatas with the Ensemble Berlin-Prag, which he founded in 2011 with members of the Berlin Philharmonic. Veverka is solo oboist with the Brno Philharmonic Orchestra, chief of the PhilHarmonia Octet and an ambassador of the French company Buffet-Crampon. In 2014 he was artist in residence at the top German festival Mitte Europa.
In September 2015 he brought out his third solo album on Suprahon, of concertos by Bach, Vivaldi and Telemann, which he recorded exclusively with Ensemble 18+.
An other solo album on Supraphon is the brand new CD “Impressions” – music for oboe and harp, recorded with the excellent czech harpist Kateřina Englichová (2017).